Why a bad video is bad for business

While most people will accept the idea that a good video is good for business, so does that mean that a bad video is bad for business? It is sometimes hard to measure what good a new effort has done because they are often surrounded by people and events that are trying to do good for a business. Something bad is quickly realized and corrected because the consequences are noticed more immediately. So I wanted to share an example of why a video is important for your business/cause by sharing a bad example.

I think the biggest example in recent memory would been Netflix in 2011 handling a price increase and then a failed spinoff brand, Quickster.

This video was a rapid response to a mismanaged announcement of a price increase that caused the company stock to drop 75%  While the video was not the only problem that caused this but the video that was filmed, on an iphone, after a lunch meeting doesn’t come off as a well thought out response.

Some of my handywork on HBO

Sometimes calling myself a filmmaker feels like a falsehood, but today it feels more true. Which means, I have some cool news to share. A short film project, FIG, I helped make was just purchased by HBO and will be airing early next month! So if you have this premium cable service and want to see my name in the credits.

Below are the times and channel that it will be airing on.

Thur 2/2 7:45pm PST – HBO East

Thur 2/2 10:45pm PST – HBO West

Sun 2/5 11:45am PST – HBO East

Sun 2/5 2:45pm PST – HBO West

Sun 2/5 10:00pm PST – HBO East

Sun 2/6 1:00am PST – HBO West

It will also be on HBO Go on demand from 2/1-2/28.

The short centers on Candace, a young, single mother in South Los Angeles. One night, when she is without food or money, she makes a desperate choice–and risks losing the most important thing in her life, as the bond with her daughter is put to the ultimate test.

Kenyon Adams, “All We Need” Music Video

This is a music video I worked on recently and it finally has been spit out the other end of post production and edited by Katy Wright-Mead, who did a great job.We shot this on  the RED One with the MX sensor. As you can see it was a small crew and I was the 1st AC. Enjoy

Credits:

Directed by Rachael Harrington.
Featuring DeWanda Wise.
Director of Photography Christopher Davis.
Edited by Katy Wright-Mead.
Lighting Design Bobby Bradley.
1st AC Nic Justice.
Grips Johnny Fogg and Paul Fittipaldi.
Storyboards Jason Lewis.
Special thanks, Dave and Debbie Davis, Smash Camera LLC

Technicolor Cinestyle Footage Download

Early last month, my director friend Phil and I have been talking about working on a project together and we finally found a weekend to do it.

I reason I thought I would share is because the shooting weekend weekend was the first one where the Technicolor Cinestle picture profile was made available. So armed with a brand new “flat” setting on my Canon T2i
we set out out make a short film. The footage showed promise, it instantly looked terrible. Blacks were grey and the contrast was gone but I knew it will allow for more room in color correction process. See my post here about why you need to color grade your footage  

Maybe by now you have done your own tests and got the cinestyle on you canon HDSLR but I wanted to share a little bit of what I shot and give you a chance to play with the color correction also, in case you haven’t jumped on board the bandwagon yet.

Now go play! Have some fun color grading. I’d love you see what you did with it so post it and send me a link.

Download My footage

Here is a link to the free picture profile from Technicolor also get the LUT while your are there.

Magic Bullet LUT buddy(also free)

Here is a great step by step video on how to install cinestyle on your HDSLR, from Johnathan Palfrey.